It was Leonardo Di Caprio, ex machina

Episode Five: four women and a funeral

Okay, one: the title of this episode is misleading because Miranda isn’t at the funeral, and two: there weren’t any notable quotes for this episode so I used that little rinky-dink one, but for good reason.

The original airing of this episode called for John Kennedy Jr. to rescue Samantha the social pariah, but he died shortly after. So in all reruns and on the DVD of the show, the voiceover says “it was Leonardo Di Caprio.” It works because it was never really either, since you can’t see the guy’s face, so they just had to pick a socially-responsible celebrity name to plug in. Since John-John appears to be the Perfect Man for that generation, they used him, but I wonder if they legally had to change it after he died or if it was just the right thing to do. Or it kept the show au currant. The other two references are in the first season, and they have more to do with JFK Jr. being off the market: bridezilla tells Carrie that “we all think we’re Carolyn Bassett,” and Charlotte has a picture of John-John in her box o’ dreams. So either those references could stay because they still applied even if he was dead, or they had already released the DVD and couldn’t change it. I’m too lazy to try to work out the timeline.*

Lots of space to devote to one line, but it just fascinates me that they would make that change. There is another such change in a later season, but I’ll save that one.

Otherwise, this episode has a character who is modeled on Donatella Versace (takes over her brother’s fashion line after his untimely death), but then they come right out and say (through the voiceover) “Josephina had become Donatella Versace.”

Miranda has a panic attack, and they use cinematography to show us what that looks like through her eyes, and then she describes it to Carrie as feeling like she was “drowning and dying at the same time.” If this is accurate, then I’ve never had a panic attack. Hooray! The trick is to just breathe, right? Also, her cat doesn’t have a name yet, so maybe she started calling him “Fatty” because, after this episode, she kept over-feeding him so he wouldn’t eat her face.

And Mr. Big is a gigantic dork in this episode.

*EDIT: A helpful commenter pointed out the SJP and JFK Jr. dated IRL.

You can't expect to move to Wonder Woman's island and not go native.

Episode Six: the cheating curve

As with the quote above, Samantha is usually very accurate in predicting what will go wrong in her friends’ lives throughout this season. In a weird, practical way, she’s the conscience of the show.

Carrie uses the word “constitues” about four times in this episode, as in the quandry of the episode: “what constitutes cheating?” Something about the way she says it makes me never want to use that word again. It sounds pretentious and idiotic at the same time.

I’m also wondered how she screwed up fondue. I’ve never made it, but isn’t just melted cheese? How can it be horrible?

Apparently, Mr. Big has no friends, just interested parties.

When Miranda sees Carrie doing the walk of shame at 7 a.m. in the wrong (for her) part of town, they actually stop on the street and have a conversation about men and sex. That is just overkill right there.

And who the hell uses a diaphragm? How does it get stuck for 24 hours? If you can’t get it out, can a semi-drunk girlfriend really do it for you? If you handed me one of those things, I would neither a) know what it was, or b) know how to use it. Just sayin.

ToTo, I don't think we're in single digits any more.

Episode Seven: the chicken dance

They are doing a new thing with the interviews. Carrie will interview random people saying random things, then the last interview in the segment will be a character from the show, who will answer the question as it pertains to the plot device that got her to ask the question in the first place. Example: a girl named Madeline gets engaged after knowing a guy three weeks, which leads Carrie to ask the question: is there such a thing as love at first sight, and some random guy on the street says something about Carmen Elektra and Dennis Rodman (so, so dated), then Madeline starts talking about what it was like for her. I believe they are trying to make the interviews work in the context of the show before phasing them out completely.

Samantha accidentally sleeps with a guy she forgot she slept with about 15 years prior, and this is an endless source of humor for me. The guy is alternately referred to as a “deja fuck,” a “reunion,” and a “rerun.” I don’t know why this is so funny to me, but it is. Probably because Samantha is drunk for most of this episode as well.

She and Miranda have a nice comic chemistry in this one, such as when Samantha says she’ll be at the bar and Miranda says “say hello to my date.” Then Carrie asks Miranda what she gave the happy couple and she dead pans “the dancing frogs,” (Madeline was Miranda’s interior designer and bought the frogs for Miranda’s house before stealing Miranda’s man) and Samantha does that whole floozy laugh.

Your doorman thinks I'm a hooker.

Episode Nine: old dogs, new dicks

I don’t know how, but I forgot about this episode. Carrie punches Big in the face! How I forgot that, I don’t know, but I had to rewind it twice, I was laughing so hard.

Of course, “physical violence is never the answer,” as Mr. Big says, so I’m kind of shocked that it’s worked into the show. I guess they be keepin it real, or something.

This is the first time I’ve noticed the “Carrie” necklace, which will be with us until the very last episode. Must watch for it in the movie.

I love Steve even more in this episode, because he and Miranda split up, then she’s lying awake at 2 a.m. and he calls to tell her about the blue moon. It’s like, you have a fight with someone, and you’re up thinking about it at some ridiculous hour and you want to talk to them but you don’t know if they’re awake/with someone else/still pissed at you. Just perfect timing. Completely inappropriate and risky on his part, but perfect.

It's like she's consciously trying to cultivate an eccentricity so that people won't notice that she's completely devoid of personality.

Episode Ten: the caste system

The above quote represents the most writerly, intelligent thing that Carrie has said in her dialogue, voice over, and column, period. Mr. Big’s response is “Well, don’t be a bitch.” She tells him “I’m not being a bitch, I’m just being myself.” You’re right, sweetheart, not only does he not love you, he has no idea who you are.

They make a big deal out of Miranda only letting Steve take her out to places he can afford, which means pizza, but the thing about Miranda is that she loves junk food. That character’s most-used prop is food. She should be perfectly happy surviving on pizza.

Okay, in the end, Carrie takes performance artist/caterer Jeremiah home with her, and after Mr. Big calls and tells her he loves her, she asks Jeremiah “did we…” He says no, and my “Kiss and Tell” guide to Sex and the City says no also, but I’m not so sure. Even though they’re both fully clothed, we don’t see Jeremiah lying in bed next to her until the exact second Mr. Big says “I fucking love you.” The voiceover says: “I felt like I was the lowest of the low. But I never told Mr. Big. I figured everything before I love you just doesn’t count.” Sounds to me like she slept with him.

Man may have discovered fire, but women discovered how to play with it.

Episode Eleven: evolution

I think the writers of this show tried add to the cultural lexicon by introducing the question “is he a straight/gay man or is he a gay/straight man?” The voiceover goes on to explain “the gay/straight man was a new strain of heterosexual male spawned in Manhattan as a result of over-exposure to fashion, exotic cuisine, musical theatre, and antique furniture.” Yep, I think they missed the boat on the much more concise label “metrosexual.” Don’t know who gets the credit for that word, but it wasn’t SATC.

They’ve also decided to show off SJP’s abs, which are unbelievable.

Did I ever really love Mr. Big, or was I addicted to the pain — the exquisite pain of loving someone so unattainable?

Episode Twelve: la douleur exquise!

Okay, if the first break-up in season one was bratty and made me dislike Carrie, this one definitely touched some chords. It’s probably because the problem this time around is so obviously Mr. Big. Also, he tells her “don’t get carried away,” which is the tagline on one of the movie posters.

Okay, I understand why you see a shrink, you know, because you're always in your head.

Episode Thirteen: games people play

Couldn’t really think of anything to say about this episode. I thought I had, then I realized otherwise:

I had thought Bon Jovi was the first big guest star they had on the show, but then I remembered that the Donald was in an earlier episode this season. And I had thought the yellow shorts-blue halter top outfit was supposed to echo the colors on the Twister mat, and then the voiceover said “yellow pants off,” and I realized there was a joke in it too.

It’s just one of those “in-between” episodes that is especially hard to take seriously when you know the whole arch of the series.

I do agree with Carrie saying that therapy is “so self-indulgent” and ancient man didn’t need a shrink, but I’ve also gotten Miranda’s argument that “ancient man only lived till thirty” thrown back at me.

In math, randomness is considered a pattern.

Episode Fourteen: the fuck buddy

Praise be, this is the last time we’ll ever see “Skipper.” He’s just so annoying, and I don’t understand why he kept popping up.

This is also the first pot reference in the show. Samantha is in bed with a doobie and a glass of red.

I like Carrie’s fuck buddy because he calls himself “McFadden,” which I assume is his last name but it’s also my boyf’s middle name so there you go. Also, his first name is John, and I wonder if they had already decided on Mr. Big’s name (which is also John, sorry for the spoiler).